mowar has reached its 10th release! this release heads into a darker direction with four solid and mental techno movers. searle is a new name to join the mowar ranks, but his sounds are pure, raw with a pinch of dark ambience. the record opens with the title track mind transfer, which brings a raw oldskool 808 feel layered with hypnotic basic channel-like chords and a subtle but most effective acid line. modern love s claro intellecto on remix duty turns the track into a slow moving warehouse monster, throbbing its way to a drugged chicago-esque jacking feel yet retaining the original darkness of mind transfer. on the flipside succubus lives up to its ominous title. this track is a dark hypnotic affair with fierce kickdrums piercing through an obscure sound palette of eerie pads and deep basses. razor sharp modulated noise then invades the whole thing turning the track into a punishing dark workout. finally unauthorized brings a more edgy and experimental sound to the whole, starting of with a dubby bassline and graveyard shift pads, but once the piercing hi-hats kick in, the track shifts to straightforward almost cristian vogel-like mental techno. by the way… searle is a new moniker of mowar frontman franco cangelli.

drei titel führen uns in die tiefen der dancefloor-katakomben und entzünden dort ein wahres sound- und beat-feuerwerk. auf tonale elemente hat chloé bewusst verzichtet, melodien - fehlanzeige. einzig the shift geht es noch etwas ruhiger an, während die elektro-epen chatterbox und watch out ebenso funktional wie virtuos von knalligen beats und thrillenden klangfragmenten bestimmt werden. clubmusic par excellence!

new release by kink and neville watson with sexual appeal made by the vocals of kim ann foxman (of hercules love affair). nice dub mix on the flip! their future-retro chicago house output made quite an impact on the scene over the past few years. with >a saturday in november< they keep their signature retro sound, but shift their tribute focus slightly on late 80 s new york and its >freestyle< days.

fennesz writes: seven stars was recorded in vienna in january 2011. i recorded and mixed the album within 3 weeks. liminal and july were existing pieces which i have reworked. (i wrote an early version of liminal in a hotel room in bali in 2010). there is also a version of liminal that i have been playing live for some time. my friend steven hess, with whom i have worked before, happened to be in vienna at the time of the sessions, so i invited him to join me in the studio. christoph amann recorded the drums using a selection of his great microphones including his amazing new josephson

psycho trill anniversary pack, limited to 100 copies! including:
aut 2011 carsten rausch: cat eyes ep
ptne 2110 bv ltd. re-press_ casey hogan: red shift re-edits
ptne 2117 ltd. ed. jonzon: reflections of my mind #2.0
sar 0005 ltd. ed. flextronic: old boy needs a dirty rave
… plus several add-ons like stickers, posters and flyers!
>whats worth the bucks<, though for its 19 years of psycho thrill anniversary the world-wide respected, cologne based, cutting-edge techno imprint strikes again with another technofied steppin quad-pack release.
this fourfold-dash specialises primarily on the long demanded 100 copy limited re-press of carsten rauschs classic techno/house hybrid >cat eyes<. an unbelievable ever-fresh workout from contemporary minimal splashes to rolling techno and acid infected beats, proving that you dont really need a worn-out 90ies tekkno or house sample in order to rock the house all the time and lift us finally up into an eerie, energetic world of wicked bass and driving beats.

at fatcat we are as excited about new signings psychedelic horseshit as we were on landing animal collective and black dice 8 years back, and believe they re a similarly vital band - pushing boundaries and creating something thrilling and unique. having avidly followed the band’s outpourings over the past few years, we can now announce psychedelic horseshit s label debut. previously appearing on hip us indies woodsist and siltbreeze, their second proper full-length marks a major shift, upgrading their sound and delivering a coherent set of bustling, uptempo, hook-laden, melted outsider pop songs.
comes with code for free digital download of this album.

the italian disco producer has previously appearing playing bass alongside the heels of love (tirk) but turns out a spectacular solo summer burner with sparkling vocals from miss bee. ray mang (dfa, noid) turns up the heat a notch delivering a slow pop groover that shuffles and slips through a well crafted boogie beat underpinned with a grinding baseline. already receiving early support from bill brewster and many of the usual disco mafia. lithuanian super produce mario basanov (future classics, under the shade) further enhances the summer vibe with a glistening and warm house rework. perfect for poolside antics. the original retains the growling bass line which seems to constantly build and build. miss bee (former outings alongside toby tobias) laces delicate vocal which juxtapose the track perfectly. last but my no means least is a dance floor bomb, courtesy of bonar bradberry (needwant, under the shade) who remixes the original panzerotti track into an epic that will shift even the most stubborn of head nodders

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

reissue from this incredible disco-funk album, originally released in 1985 on engineered for sound. the original is impossible to get now and gooes for $$$ on ebay and the likes. a total must for those into dam-funk, james pants and the likes. comes with reccommendations and write-ups from dam-funk and nite jewel on the front (in the form of a sticker - placed on the plastic protection sleeve). cleaned and remastered from the original tracks. comes with original artwork and including a lyrics sheet.

monsieur guillaume berroyer — the infamous ark — recently underwent a sort of sea change in both his artistic and personal life. anyone following his career with even a passing interest knows of his long resume (collabs with pepe bradock and cabanne, dolibox, mika weill, releases on brif, karat, circus company, perlon…) and has heard tales of the studio fire and the creative energy shift and all of the stories associated with his frenzied live performances and dj gigs. great stories are fun and build mystique, but as most heads know the music more than measures up to the legend. his recent >arkpocalypse now< full-length showed a matured craftsman that is not so much waxing introspective as he is distilling his signature sound into something manageable enough to truly adapt to all of his musical tastes.

including mp3 download code.
>good things< marks a shift in methodology from personal to political for aloe blacc, who refers to the project as his report on present conditions - the misappropriation of wealth, pillaging of resources, a universal lack of compassion, and the struggle to survive. ethereal production from truth & souls leon michels and jeff silverman mask a foreboding undercurrent in which aloe blacc crafts thought provoking lyrics. nowhere is this more evident than on lead single >i need a dollar< - theme for hbos >how to make it in america<.

part 2 of the vx-remixes, produced by virgil enzinger & xavier morel!
the ep is played and supported by dave clarke, the advent, chris liebing, speedy j, tommy four seven, audio injection, matt k, gary beck, submerge, mike humphries, xpansul, hi-shock, tony rohr, cari lekebusch and many more!

nice price deal !!! that the dutch producers and her music are fashionable, nobody doubts, proof of this, is the union of forces from patch park and joeri jamison, after passing through little mountain and renaissance, delight us with their new theme in the factoria. the original one reflecting a shift toward techno influences of the two protagonists, as its original title of the song itself, it is accompanied by remixes from oliver moldan that makes a wonderful remix after his success with misfits and nicole moudaber (viva music, plastic city) pure underground sound ... enjoy it

always looking for the perfect beat! this is the aspiration of every dj. and with wanted beatz the goal gets a whole piece closer to the perfect beat. so minimal lounge gives with glow box the answer to the question was still open. this killer track is just groovin and conjures at the latest with the onset vocal everyone a smile on his face. although no one understands a word. the label-head madison flies with his remix straight towards the floor, shift up a higher gear and turning glow box in a true peak-time bomb. lepetri (ostwind records) rounds off this release wonderfully and kicks off all remaining questions on the dance floor. definitely a must-have for this summer.

in the world of factory presets, default settings and copy-paste ethics, there are few artists that actually care to make a difference. and -who told you that?-, 29th release on warsaw recognition label, is certainly a voice to be heard. the title track is another subtle narrative from label boss jacek sienkiewicz. eerie chord and a solid, damp beat from the start are underpinned by sherds of dialogue - snippets of words and laughter keep coming back in the mix, providing some sort of uneasy commentary towards todays minimal house formula. but at some point the voices disappear - and then the tracks gently goes somewhere outside the boundaries of todays club music, somewhere otherworldly. this shift, albeit amazingly subtle, is a leap towards music free of any defined context, far beyond dancefloor and definitely original. if this sneak peak into the possible futures of manmachine induced visions is too much to handle, there is still the b-side of this release. two tracks here - both clocking around mere 5 minutes - are prime exercises in compact, clever, tight and efficient club tools. uplifting -cobalt drive- is bound to to be quoted and reworked into many forms of a late-night burner. patefon, on the other hand, is a peak-time stormer with its stuttering chords and moody samples, supposedly picked from some vintage shellac discs

limited edition.. >the downwards story< contains huge tracks by surgeon, regis and portion reform.. incl surgeons underground classics atol & badger bite !! 2010 repress

excellente 4 track remix ep zu ehren von marcel dettmann und seinem bald kommenden album ... 4 tracks von ihm im mix von norman nodge (mdr) und wincent kunth!

jacksonville (leeds u.k) releases his first original track for thug records. the release also coincides with the launch of our vinyl arm and marks a new direction and ethos for thug records. after being heavily inspired by a 4 month trip to berlin in late 2009 and by a number of fantastic labels and artists in the u.s.a, we have decided to make shift back to a more organic platform. to quote levon vincent, the medium is the message. now for the tracks, dusk is a deep, bumping techno gem that grinds and pulsates with smatterings of acid, drum hooks and creepy vocal stabs.
on the remix front, one of our all time favourite producers, abe duque (nyc), does what he does best and turns out an incredibly twisted dance floor beast. both tracks here bring the noise. hope you enjoy...

after releasing the excellent >wormhole< on japan excursion joint 3, the most talented stefny gives us her debut solo archipel 12 inch, >echinodon<, featuring remixes from bruno pronsato and isomer transition.
this package, by all means, is set to infinitely clutch and grab ahold of many a mind. >echninodon< is wonderfully fanged, each maxilla locked and loaded, ready to capture the entirety of the minds resources and set it into intricate motion. it possesses a hypnotic prowess of such a level which makes it difficult if not impossible to shift ones attention away from it. if lucid dreaming is possible while one is awake, waking dreams within wakefulness, this is sure to cause just such a condition to arise, leading to deliciously formed headscapes where every scene is endlessly novel and created out of the finest of mental interior brushstrokes and every individual shade and colour is endless in its depth.

arms goes japan! on the seventeenth cut we present a mindblowing japanese line up, which will take you straight to the land of the rising sun. we welcome the talented newcomers asagaoaudio and kyoudai itsumo, both part of the new wave of japanese industrial techno producers. beside fresh blood we also present some experience on the black gold. takaaki itoh and go hiyama have been partners in crime on stage for a while now and its about time they share the same vinyl on arms. prepare for some cutting edge, razorsharp dark metallic rhythms and sonic structures straight from japan.

after the critical and commercial success of art8, the resurgence of the legendary art label continues apace with the first release in a newly formed dance division series. signifying a shift towards more peak-time club material, the dance division series kicks off with the >swarm< ep. consisting of three tracks from label-owner kirk degiorgio. >swarm<, >a way of life< and >distant realm< cover the full-range of classic club-techno sonics, with a modern production edge that guarantees an extra punch on the dancefloor.

new strong 5 tracker from vokuhila - featuring ascii.disco / torro remote / chicken n shift / sebastian nikolai

after hitting his stride in 2008 with his debut for mobilee one is not enough followed by his second release, sand on the floor, the one-man phenomenon is back for a third round for mobilees 55th release entitled first talk, an enthralling tech-house release that is as boundless as it is stunning. the a-side first talk is a bouncing techy track that constantly moves forward and progresses without sounding the least bit rushed, continuously teasing the listener with build-ups that stop just short of peaking. combining vintage synths and reverb-laced loops, and.id meticulously plays with dynamics and atmospherics with the end result being a release that constantly moves forward without sounding the least bit rushed. b1 ephoria maintains a similar level of compelling restraint, with stuttered house beats and melodic undercurrents that morph and shift until they transform into arpeggiated swells leading the track to its endpoint. on b2 lights on and.id displays his darker, more minimal side, taking advantage of lower frequency ranges and recurrent echoes

first seconds into already 27th release on recognition, and we immediately know that there is serious business going on here. stunningly complex drum track goes like clockwork, only setting the scene for what is to come. forget the craft of drum programming - we are talking another dimension here. >modern dance< is like being suddenly dropped into suspended animation: having that peculiar feeling that the world around is accelerating to the verge of a seizure - and at the same time this very world feels so slow... unnamable, transparent sheets of sound almost give no room to breathe - but ones breath is taken away by the magnificent landscape it s about to appear. shapes shift under half-closed eyelids, and while the low, peaceful yet sad chant comes in, one can feel it like an omnipresent breath, burning hot and marble cold at the same time. this mysterious and heart-wrenching voice comes courtesy of one yula, and were gonna surealy hear much more from her in the future. and it seems that the beats literally start to boil... rhythms shuffle and swing, and taken the lack of floating melodies abundant in jaceks earlier output this track is even more outstanding from theproducers former work - probably acting as a bridge towards new visions, appearing in the confidence of the new, almost-perfect studio.

the sunshine coast?s resident electronic maverick, milanese is back on with his heavy-as-fuck 2nd album on the mighty planet mu, and a snapshot of the continued evolution of his unique, fresh angle on streetwise uk bass music.
having pioneered the heavy, dark and twisted experimental dubstep sound with his previous releases on warp, combat, mg77, arcola, seed and planet mu, this new lp sees a shift towards collaboration. with strong vocal artists like ben sharpa (pioneer unit, cape town) and rqm (al haca, vienna), who deliver interesting lyrics in a unique style, melded perfectly with milanese?s own fat swerving basslines, solid drums full of attitude and odd, mangled samples.
melting dubstep?s earth shaking frequencies with hip hop & grime vocals and hard edged timbaland influenced drums and percussion, the result defies categorization: neither dubstep, grime, hip hop nor idm - you could call it a mashup of all these, but it?s more accurate to say it sounds like streetwise bass music for the year 3000. incredibly strange beats and sounds but keeping the funk, fury and bounce 100% on lockdown.
challenging, menacing and forward thinking like his previous releases 1up on warp (2004) and extend on planet mu (2006), its also 31 year old steve milanese?s most dancefloor record yet.

storming techno, made bvy marco bailey for intec in 2004.

the super sharp exile missile boys are back. chris beisswenger (cb funk, arto mwambe) & his former roommate philipp lange deliver their second ep called rayrider after the groundbreaking sidewinder 12” in 2006 which only sold 300 units. exile missile take their time and release 100% bullet-proof material only. so you really don’thave to worry that this could be a shitty record. …ahh and of course: ...massive breakdown in the middle and a cool hihat phrase-shift around 15:27 with super satellitesquesynth workouts and and and... oh yeah, heavy support from all the big jocks around loving the a side and droppingthis at peaktime in the big room... you know the deal

this release is already supported by : ricardo villalobos, zip, cabanne, john thomas, daniel bell, losoul, fumiya tanaka.. and many others!

der kopf von monolake mit einem spannenden album das die grenzen jenseits der puren funktionalität auslotet. erscheint auf 180 g vinyl und im schönen klappcover

second beat broker release featuring the killer high energy space disco track >my way or the highway<. a big big tune in patrick cowley tradition that works its way to an exploding climax. flip for >night shift<, a beautiful melancholic emo-disco tune that has >beat broker< written all over it, pure class. featuring a dance-floor disco/house remix by john daly, the man who can do no wrong.

the vancouver based project ragdoll consisting of stephan fisher & oliver nickels has already established a very fine reputation with their dirty, modern sound. ragdoll shift the sound towards percussive madness and deeper sounds whilst keeping the massive energy with their groove. supplementing the release, dutch producer koen groeneveld adds his very own interpretation of the original. definitely wicked soundz from koen and we are proud to have em on the label

1999 classic feat pepper mashay on vocals. includes swingshift and albert cabrera mixes!

andrés first release for simple records >wanna feel< is all about the resonant, hypnotic bassline that steadily opens out to reveal more layers of harmony. little sounds and licks of melody dance around the bass whilst strings and stabs build the hook into one big crescendo. brooks melancholic strings, cleverly cut up the bassline and an eerie soundscape pushes the vibe of the original into a darker more sinister techno place….this is the lights out, heads down, touch me in the dark kind of groove that we love! finally >move< is an absorbing and patient deep house gem. plunging into a backdrop of prodded keys that subtly shift in shape and tone, a central synth melody climbs to euphoric climax before retiring back to waves of throbbing bass and rolling percussive loops

5 track industrial massacre!!!

incl mark broom remix

earlier this year, todd sines inaugurated yore with the slamming techno-funk of the .xtrak release back_up ep and now returns for round two with dont stop. without losing the stripped-down, minimal tech-house funk essence of the .xtrak sound, sines ups the acid-house ante considerably in the new material. the old-school title cut makes an immediately vivid impression by repeating the insistent vocal hook >dont stop<-both command and mantra-over a towering backbeat. >cut to the chase< does exactly that with funky handclaps and syncopated swing, while the b-sides low-riding >unreflect< pairs dropouts and bass-crawling boogie. slightly different in character, the squiggly acid-techno track >quantum mechanics< is as precision-tooled as its title suggests. despite the subtle shift in stylistic emphasis, dont stop offers a splendid complement to the earlier release

you may already know barem (aka mauricio barembuem) from his releases on (un)foundsound, pariter and phonocult or from his remixes on resopal, mos ferry and einmaleins. if so you, wont be surprised in the slightest to find him surfacing on minus with never better than late to round off what has been another groundbreaking year for this ubiquitous label. the electro flavoured broken beats of so serial (digital only) make it the perfect tool for opening a set or for shifting the mood. the melancholy tones, the massive snare reverbs and the low, stuttering acid bassline gradually turn up the pressure before eventually triggering the 4/4 section, establishing the perfect platform to propel the eve! ning onto the next level. the fantastically titled ears conclu! des the release,offering more subsonic trickery in a similar vein. the percussive licks shift up and down amid a wash of reverbs and delays, while the bubbling bassline motors forward, keeping the scuttling efx in check

great feedback by oxia, st. sebastian, dj f.e.x., jeff bennett and martin landsky. the three tracks on the ep nicely explore different nuances of maik loewens sound (tonsport, trapez, karmarouge). the funky and uplifting >napping at the switch< spreads a positive energetic vibe, while >bright night< comes in a darker vein, before the nerdy >night shift< rounds off this brilliant ep

multi talented parisian producer dj fudge comes with a killer 3 tracker for the newly re launched sub urban records, showcasing the diverse styles of his endless production skills. first up is the disco infused liv & love featuring the classic sound of vocalist mani hoffman (a longtime collaborator with fudge) who is most famous as the voice behind the hit record starlight by supermen lovers, then we shift to the other end of the spectrum of fudges flavaz midnight sun is a deep dark journey that wont fail to rock the global dancefloors, last but not least comes grysor a beat heavy journey laced with a twisted synth bass line for those who like their house dirty...

this 4 track ep carries a unique boogie swing mixed with the spaced out house. steve & i are steve spacek and mathieu schreyer aka mr french who has already collaborated with steve spacek during the recording of the >space shift< album.

incl. brilliant rmx by man of the moment 2000 and one !! a new face at moon harbour, simon flower comes from gorgeous new zealand and has been affecting theantipodean club scene hugely since the early nineties. as peak shift this pleasant fellow released principally on his own label, nurture recordings but now, after a short break, simon flower is kicking off under his real name. the auspicious twelve-inch >shinjuku skyline< on curl curl was just the beginning as here, he makes his debut on moon harbour before he delivers a12 to pokerflat in a few months time

3 x lp with finest soundscapes, clicks and cuts by reinhard voigt, dettinger, skist, jake mandell, farben, alva noto and many more. for fans of earlier kompakt releases

supported by james flavour, prins thomas and sasse !! this is the first sampler 12inch from mule musiq for more disco people. a1, ana is a japanese pop band and force of nature remix was available in only japan but their original remix was featured japanese voice from ana’s original song (i think they had to use the voice parts), then people wanted to have instrument version. it’s a first appearance and great cosmic disco sound. a2, marcello giordani is a new artist for mule,but you know he has relased from dirt crew/players paradise as well boogie farm(morris audio),you will see his progressive disco sound. his some 12inch&debut album is coming from mule in this winter. and b1, maybe you remenber this great timeless disco track from one of the most popular artist “ame” in the house, techno scene. the original release of vinyl was a sampler 12inch of dixon’s mix cd

great timeless melodic detroit trax on the second subwax !!

nicolas masseyeff is vedrenn and >sound is the curey< is not only wise word but also his second single on zoo brazils john henry label after the burning >shift comannad< released last year. nicolas adds his very own musical grammar to the elcetro tech circus. dark, forcing, atmospheric and surprising... big with oxia, huntemann, miss kittin

the second coming of italian minimal funk duo eclat & prudo under their alter ego alfa romero on players paradise is another fine example of reduced funky techhouse !! sure shot

knackig frischer leicht verdrehter minimal hypnotic techno mit rave qualitäten... dicke floor prime time granate

vier künstler - eine meinung. mit dabei: mark ashken, akiko kiyama, luca bacchetti, arnaud le texier